Upon The Westminster Bridge Poem Questions And Answers | Upon The Westminster Bridge Poem
"Composed Upon The Westminster Bridge", this poem is originally composed on 3rd September, 1802 by William Wordsworth. William Wordsworth (1770-1850) was one of the pioneers of the English Romantic movement.
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Upon The Westminster Bridge Poem Questions And Answers
The poet is touched by the untainted beauty of the morning over the city of London. Wordsworth describes the pure and peaceful beauty of his city before the bustle and hurry of the day have started.
Describe the central idea of the poem "Composed Upon Westminster Bridge" by William Wordsworth.
Or
Describe the city of London
Or
Give the substance of Wordsworth 's " Upon Westminster Bridge " .
Ans - Originally composed on 3rd September 1802 the poem was first published in "poems in two volumes " in 1807 .
The poem is simply a spontaneous outburst of william Wordsworth's feelings, emotions and aesthetic apple for the city of London. The seenic beauty of the city of London makes the poet spellbound and the hyperbolic line comes from within heart:-
"Earth has not anything to show more fair"
The early morning sun casts it's brightness on the city of London which looks "mysterious beautiful " (W.B. Yeats). The poet fells a man having no perception to enjoy such beautiful moments.
" Dull would he be of soul ".
Bathed in the early morning sun, thr city seems to wear a new garment. In the silent morning the 'ships', ' towers', 'domes', ' theaters', and 'temples ' are opened unto the fields and to the sky, highly romanticised, the poet blends the beauties of London with natural objects.
Unconventionally, here he gives the richness of the city of London.
Ultimately the poet shares his feelings of aesthetic joy with none but the Almighty (God) . He feels that the houses are still in slumber and the city too!
Would you required that " Upon Westminster Bridge " by William Wordsworth an unconventional poem?
Ans - William Wordsworth was the variously known as the harbinger of nature, " the high priest of nature " because his chief originality is to be found in his poetry ; especially based on nature.
Deouincy rightly says " Wordsworth has his passion for nature , fixed in his blood........ "
As we have already studied Wordsworth in most of his poetry, he represents rustic natural life. In ''The solitary Reaper ", he starts -
"Be held her solitary single in the fieldy on solitary hightendlass"
In "The Daffodils " , he describes the dancing and tuttering golden daffodils - "A host of golden daffodils, besides the lake, beneath the trees" . Again in "The world is Too much with us" . The poet describes nature. As compared to all these poems " Upon Westminster Bridge " is somewhat unconventional.
In fact denying conventionalism , here the poet has tactfully blended 'Towers ' , 'Domes' , 'Temples', ' Houses ' and 'Theaters ' with nature and there by adding a new dimension the beauties of London.
And in hyperbolic sense the poef's lips burst into -
"Earth has not anything to show more fair".
Thus the poet apparently in an antithetical manner draws a fine picture of the city of London but he never forgets nature, and here in lies his inner greatness.
Bring out the appropriateness of the title on the poem "Upon Westminster Bridge ".
Ans - "What's in a name? " quoted from "Romeo and Juliet " by William Shakespeare, the above proverbial sentence reveals, the fact that nothing matters in a names but naming the title of a literary piece is important.
Many think , the title as " Five beneath the show " Or an iceberg, large portion of which remain under the surface of the sea but the vastness looms large before us when we go deep into it.
William Wordsworth 's " Upon Westminster Bridge " is maddened on a link between the beautiful appearance of the city of London and the poet's inner beauty of his own artistic entity. Here the Westminster bridge text an important role in enriching the poet's heart with a new kernal for London with the use of personification , here the poet shows today the city is not merely a city, full of hustle and bustle of everyday life.
The poet loves it from the care of his heart. And in the early morning such he is lucky enough to be an eye witness of the beauty of London which he experiences from upon the Westminster bridge.
The title is a highly praised as it tells the whole tale of the morning beauty of the city of London.
How far is "Upon Westminster Bridge " Romantic in thought. Illustrate.
OR
Assess William Wordsworth as a typical Romantic poet.
Ans- William Wordsworth was a pioneer of the Romantic movement of the early 19 th century. His poetry exhibits romantic traits and for his movement towards romantic element, his stands supreme can be termed as a romantic poet. Now before dimming in romantic, let us assess him in " Upon Westminster Bridge ":-
IMAGINATION - where the 18 th century poet's used to emphasise on write the romantic poets an imagination to make things to look strength and beautiful and here writes the poet:-
"Earth has not anything to show more fair" .
NATURE - Wordsworth is a true worshipper of nature. But here though he is somewhat unconventional, he finely blends the beauty of London with nature. Toady London seems to be free from the hustle and bustle of life.
SUBJECTIVITY - Subjectivity is the key role of romantic poetry. Here he expresses his personal thought and feeling throw his -
"Near saw I never felt a calm so deep".
PANTHEISM AND MYSTICISM - pantheism and mysticism are almost inter - related factors in nature poetry of the romantic period.
Wordsworth canvases of a spiritual power running through all natural object, the poet invokes "GOD! " to share his own feelings of joy.
HUMANISM - The romantic poet had a super abundent enthusiasm for humanity. He was simply interested in the rustic life. He laments for the loss of human sale.
LYRICISM - Wordsworth is famous for simple diction bereft of artificialities and falsity of emotions .
Therefore William Wordsworth in the true sense of the term is obliged as a successful a Romantic poet.
Describe the poem "UPON Westminster Bridge" by William Wordsworth as a petrarchan sonnet.
Ans - We know, the very word 'Sonnet ' derived from the Italian word 'Sonneto' is invented by Petrarch.
Based on a petrarchan sonnet form William Wordsworth 's " Upon Westminster Bridge " published in poems in two volumes in 1807 has two divisions Octave ( eight lines) and Sestet ( six lines) . Here too, like that of petrarch the octave has two rhymes ( a and b) arranged as abba ( bare - lie - sky - air) . The octave deals with the scenic beauty of the city of London.
And here, the first lines rhymes with the fourth, the fifth and the eight.
Again the Sestet has two rhymes arranged as cd ( steep - hill) , cd ( deep - will) , cd ( asleep - still). (Though same times cde, cde in petrarchan form). In the Sestet the poet describe the richness of the beauty of the city upon on his mind. And here, the first line rhymes with the third and the fifth while the second line with the fourth and the sixth.
Therefore it is fine example of a successful Italian or petrarchan sonnet by by William Wordsworth.
"Near saw I never felt, a calm so deep" -
a. Where does the line taken from?
b. Refer the content.
C. What did the poet never see more feel?
OR
Why did the poet never see more feel?
Ans - a. The above quoted line is taken from "Upon Westminster Bridge " , a petrarchan sonnet, published in poems in two volumes by William Wordsworth a romantic poet.
b. The scenic beauty of the city of London one early in the morning meet the poet spell bound, while he was going to France with his sister, named Dorothy then standing on the Westminster Bridge while crossing the river Thames. Near Westminster Abbey and a leading to other road to London.
The poet in a way of engagement and says this to show a sense of tranquility of heart.
c. The early morning sun casts it's brightness on the city of London which looks "mysterious beautiful " (W.B. Yeats). The poet fells a man having no perception to enjoy such beautiful moments.
" Dull would he be of soul ".
Bathed in the early morning sun, thr city seems to wear a new garment. In the silent morning the 'ships', ' towers', 'domes', ' theaters', and 'temples ' are opened unto the fields and to the sky, highly romanticised, the poet blends the beauties of London with natural objects.
Unconventionally, here he gives the richness of the city of London.
Ultimately the poet shares his feelings of aesthetic joy with none but the Almighty (God) . He feels that the houses are still in slumber and the city too!
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